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FLAC(1) FLAC(1)

NAME
flac - Free Lossless Audio Codec

DESCRIPTION
flac is a command-line tool for encoding, decoding, testing and analyzing FLAC streams.

OPTIONS
A summary of options is included below. For a complete description, see the HTML documentation.

GENERAL OPTIONS
-v, --version
Show the flac version number

-h, --help
Show basic usage and a list of all options

-H, --explain
Show detailed explanation of usage and all options

-d, --decode
Decode (the default behavior is to encode)

-t, --test
Test a flac encoded file (same as -d except no decoded file is written)

-a, --analyze
Analyze a FLAC encoded file (same as -d except an analysis file is written)

-c, --stdout
Write output to stdout

-s, --silent
Silent mode (do not write runtime encode/decode statistics to stderr)

--totally-silent
Do not print anything of any kind, including warnings or errors. The exit code will be the only way to determine
successful completion.

--no-utf8-convert
Do not convert tags from local charset to UTF-8. This is useful for scripts, and setting tags in situations where
the locale is wrong. This option must appear before any tag options!

-w, --warnings-as-errors
Treat all warnings as errors (which cause flac to terminate with a non-zero exit code).

-f, --force
Force overwriting of output files. By default, flac warns that the output file already exists and continues to
the next file.

-o filename, --output-name=filename
Force the output file name (usually flac just changes the extension). May only be used when encoding a single
file. May not be used in conjunction with --output-prefix.

--output-prefix=string
Prefix each output file name with the given string. This can be useful for encoding or decoding files to a dif-
ferent directory. Make sure if your string is a path name that it ends with a trailing `/' (slash).

--delete-input-file
Automatically delete the input file after a successful encode or decode. If there was an error (including a ver-
ify error) the input file is left intact.

--keep-foreign-metadata
If encoding, save WAVE or AIFF non-audio chunks in FLAC metadata. If decoding, restore any saved non-audio chunks
from FLAC metadata when writing the decoded file. Foreign metadata cannot be transcoded, e.g. WAVE chunks saved
in a FLAC file cannot be restored when decoding to AIFF. Input and output must be regular files (not stdin or
stdout).

--skip={#|mm:ss.ss}
Skip over the first number of samples of the input. This works for both encoding and decoding, but not testing.
The alternative form mm:ss.ss can be used to specify minutes, seconds, and fractions of a second.

--until={#|[+|-]mm:ss.ss}
Stop at the given sample number for each input file. This works for both encoding and decoding, but not testing.
The given sample number is not included in the decoded output. The alternative form mm:ss.ss can be used to spec-
ify minutes, seconds, and fractions of a second. If a `+' (plus) sign is at the beginning, the --until point is
relative to the --skip point. If a `-' (minus) sign is at the beginning, the --until point is relative to end of
the audio.

--ogg When encoding, generate Ogg FLAC output instead of native FLAC. Ogg FLAC streams are FLAC streams wrapped in an
Ogg transport layer. The resulting file should have an '.oga' extension and will still be decodable by flac.

When decoding, force the input to be treated as Ogg FLAC. This is useful when piping input from stdin or when the
filename does not end in '.oga' or '.ogg'.

--serial-number=#
When used with --ogg, specifies the serial number to use for the first Ogg FLAC stream, which is then incremented
for each additional stream. When encoding and no serial number is given, flac uses a random number for the first
stream, then increments it for each additional stream. When decoding and no number is given, flac uses the serial
number of the first page.

ANALYSIS OPTIONS
--residual-text
Includes the residual signal in the analysis file. This will make the file very big, much larger than even the
decoded file.

--residual-gnuplot
Generates a gnuplot file for every subframe; each file will contain the residual distribution of the subframe.
This will create a lot of files.

DECODING OPTIONS
--cue=[#.#][-[#.#]]
Set the beginning and ending cuepoints to decode. The optional first #.# is the track and index point at which
decoding will start; the default is the beginning of the stream. The optional second #.# is the track and index
point at which decoding will end; the default is the end of the stream. If the cuepoint does not exist, the clos-
est one before it (for the start point) or after it (for the end point) will be used. If those don't exist, the
start of the stream (for the start point) or end of the stream (for the end point) will be used. The cuepoints
are merely translated into sample numbers then used as --skip and --until. A CD track can always be cued by, for
example, --cue=9.1-10.1 for track 9, even if the CD has no 10th track.

-F, --decode-through-errors
By default flac stops decoding with an error and removes the partially decoded file if it encounters a bitstream
error. With -F, errors are still printed but flac will continue decoding to completion. Note that errors may
cause the decoded audio to be missing some samples or have silent sections.

ENCODING OPTIONS
-V, --verify
Verify a correct encoding by decoding the output in parallel and comparing to the original

--lax Allow encoder to generate non-Subset files. The resulting FLAC file may not be streamable or might have trouble
being played in all players (especially hardware devices), so you should only use this option in combination with
custom encoding options meant for archival.

--replay-gain
Calculate ReplayGain values and store them as FLAC tags, similar to vorbisgain. Title gains/peaks will be com-
puted for each input file, and an album gain/peak will be computed for all files. All input files must have the
same resolution, sample rate, and number of channels. Only mono and stereo files are allowed, and the sample rate
must be one of 8, 11.025, 12, 16, 22.05, 24, 32, 44.1, or 48 kHz. Also note that this option may leave a few
extra bytes in a PADDING block as the exact size of the tags is not known until all files are processed. Note
that this option cannot be used when encoding to standard output (stdout).

--cuesheet=filename
Import the given cuesheet file and store it in a CUESHEET metadata block. This option may only be used when
encoding a single file. A seekpoint will be added for each index point in the cuesheet to the SEEKTABLE unless
--no-cued-seekpoints is specified.

--picture={FILENAME|SPECIFICATION}
Import a picture and store it in a PICTURE metadata block. More than one --picture command can be specified.
Either a filename for the picture file or a more complete specification form can be used. The SPECIFICATION is a
string whose parts are separated by | (pipe) characters. Some parts may be left empty to invoke default values.
FILENAME is just shorthand for "||||FILENAME". The format of SPECIFICATION is

[TYPE]|[MIME-TYPE]|[DESCRIPTION]|[WIDTHxHEIGHTxDEPTH[/COLORS]]|FILE

TYPE is optional; it is a number from one of:

0: Other

1: 32x32 pixels 'file icon' (PNG only)

2: Other file icon

3: Cover (front)

4: Cover (back)

5: Leaflet page

6: Media (e.g. label side of CD)

7: Lead artist/lead performer/soloist

8: Artist/performer

9: Conductor

10: Band/Orchestra

11: Composer

12: Lyricist/text writer

13: Recording Location

14: During recording

15: During performance

16: Movie/video screen capture

17: A bright coloured fish

18: Illustration

19: Band/artist logotype

20: Publisher/Studio logotype

The default is 3 (front cover). There may only be one picture each of type 1 and 2 in a file.

MIME-TYPE is optional; if left blank, it will be detected from the file. For best compatibility with players, use
pictures with MIME type image/jpeg or image/png. The MIME type can also be --> to mean that FILE is actually a
URL to an image, though this use is discouraged.

DESCRIPTION is optional; the default is an empty string.

The next part specfies the resolution and color information. If the MIME-TYPE is image/jpeg, image/png, or
image/gif, you can usually leave this empty and they can be detected from the file. Otherwise, you must specify
the width in pixels, height in pixels, and color depth in bits-per-pixel. If the image has indexed colors you
should also specify the number of colors used. When manually specified, it is not checked against the file for
accuracy.

FILE is the path to the picture file to be imported, or the URL if MIME type is -->

For example, "|image/jpeg|||../cover.jpg" will embed the JPEG file at ../cover.jpg, defaulting to type 3 (front
cover) and an empty description. The resolution and color info will be retrieved from the file itself.

The specification "4|-->|CD|320x300x24/173|http://blah.blah/backcover.tiff" will embed the given URL, with type 4
(back cover), description "CD", and a manually specified resolution of 320x300, 24 bits-per-pixel, and 173 colors.
The file at the URL will not be fetched; the URL itself is stored in the PICTURE metadata block.

--sector-align
Align encoding of multiple CD format files on sector boundaries. See the HTML documentation for more information.

-S {#|X|#x|#s}, --seekpoint={#|X|#x|#s}
Include a point or points in a SEEKTABLE. Using #, a seek point at that sample number is added. Using X, a
placeholder point is added at the end of a the table. Using #x, # evenly spaced seek points will be added, the
first being at sample 0. Using #s, a seekpoint will be added every # seconds (# does not have to be a whole num-
ber; it can be, for example, 9.5, meaning a seekpoint every 9.5 seconds). You may use many -S options; the
resulting SEEKTABLE will be the unique-ified union of all such values. With no -S options, flac defaults to '-S
10s'. Use --no-seektable for no SEEKTABLE. Note: '-S #x' and '-S #s' will not work if the encoder can't deter-
mine the input size before starting. Note: if you use '-S #' and # is >= samples in the input, there will be
either no seek point entered (if the input size is determinable before encoding starts) or a placeholder point (if
input size is not determinable).

-P #, --padding=#
Tell the encoder to write a PADDING metadata block of the given length (in bytes) after the STREAMINFO block.
This is useful if you plan to tag the file later with an APPLICATION block; instead of having to rewrite the
entire file later just to insert your block, you can write directly over the PADDING block. Note that the total
length of the PADDING block will be 4 bytes longer than the length given because of the 4 metadata block header
bytes. You can force no PADDING block at all to be written with --no-padding. The encoder writes a PADDING block
of 8192 bytes by default (or 65536 bytes if the input audio stream is more that 20 minutes long).

-T FIELD=VALUE, --tag=FIELD=VALUE
Add a FLAC tag. The comment must adhere to the Vorbis comment spec; i.e. the FIELD must contain only legal char-
acters, terminated by an 'equals' sign. Make sure to quote the comment if necessary. This option may appear more
than once to add several comments. NOTE: all tags will be added to all encoded files.

--tag-from-file=FIELD=FILENAME
Like --tag, except FILENAME is a file whose contents will be read verbatim to set the tag value. The contents
will be converted to UTF-8 from the local charset. This can be used to store a cuesheet in a tag (e.g. --tag-
from-file="CUESHEET=image.cue"). Do not try to store binary data in tag fields! Use APPLICATION blocks for that.

-b #, --blocksize=#
Specify the block size in samples. Subset streams must use one of 192, 576, 1152, 2304, 4608, 256, 512, 1024,
2048, 4096 (and 8192 or 16384 if the sample rate is >48kHz).

-m, --mid-side
Try mid-side coding for each frame (stereo input only)

-M, --adaptive-mid-side
Adaptive mid-side coding for all frames (stereo input only)

-0..-8, --compression-level-0..--compression-level-8
Fastest compression..highest compression (default is -5). These are synonyms for other options:

-0, --compression-level-0
Synonymous with -l 0 -b 1152 -r 3

-1, --compression-level-1
Synonymous with -l 0 -b 1152 -M -r 3

-2, --compression-level-2
Synonymous with -l 0 -b 1152 -m -r 3

-3, --compression-level-3
Synonymous with -l 6 -b 4096 -r 4

-4, --compression-level-4
Synonymous with -l 8 -b 4096 -M -r 4

-5, --compression-level-5
Synonymous with -l 8 -b 4096 -m -r 5

-6, --compression-level-6
Synonymous with -l 8 -b 4096 -m -r 6

-7, --compression-level-7
Synonymous with -l 8 -b 4096 -m -e -r 6

-8, --compression-level-8
Synonymous with -l 12 -b 4096 -m -e -r 6

--fast Fastest compression. Currently synonymous with -0.

--best Highest compression. Currently synonymous with -8.

-e, --exhaustive-model-search
Do exhaustive model search (expensive!)

-A function, --apodization=function
Window audio data with given the apodization function. The functions are: bartlett, bartlett_hann, blackman,
blackman_harris_4term_92db, connes, flattop, gauss(STDDEV), hamming, hann, kaiser_bessel, nuttall, rectangle, tri-
angle, tukey(P), welch.

For gauss(STDDEV), STDDEV is the standard deviation (0<STDDEV<=0.5).

For tukey(P), P specifies the fraction of the window that is tapered (0<=P<=1; P=0 corresponds to "rectangle" and
P=1 corresponds to "hann").

More than one -A option (up to 32) may be used. Any function that is specified erroneously is silently dropped.
The encoder chooses suitable defaults in the absence of any -A options; any -A option specified replaces the
default(s).

When more than one function is specified, then for every subframe the encoder will try each of them separately and
choose the window that results in the smallest compressed subframe. Multiple functions can greatly increase the
encoding time.

-l #, --max-lpc-order=#
Specifies the maximum LPC order. This number must be <= 32. For Subset streams, it must be <=12 if the sample rate
is <=48kHz. If 0, the encoder will not attempt generic linear prediction, and use only fixed predictors. Using
fixed predictors is faster but usually results in files being 5-10% larger.

-p, --qlp-coeff-precision-search
Do exhaustive search of LP coefficient quantization (expensive!). Overrides -q; does nothing if using -l 0

-q #, --qlp-coeff-precision=#
Precision of the quantized linear-predictor coefficients, 0 => let encoder decide (min is 5, default is 0)

-r [#,]#, --rice-partition-order=[#,]#
Set the [min,]max residual partition order (0..16). min defaults to 0 if unspecified. Default is -r 5.

FORMAT OPTIONS
--endian={big|little}
Set the byte order for samples

--channels=#
Set number of channels.

--bps=#
Set bits per sample.

--sample-rate=#
Set sample rate (in Hz).

--sign={signed|unsigned}
Set the sign of samples (the default is signed).

--input-size=#
Specify the size of the raw input in bytes. If you are encoding raw samples from stdin, you must set this option
in order to be able to use --skip, --until, --cue-sheet, or other options that need to know the size of the input
beforehand. If the size given is greater than what is found in the input stream, the encoder will complain about
an unexpected end-of-file. If the size given is less, samples will be truncated.

--force-aiff-format
Force the decoder to output AIFF format. This option is not needed if the output filename (as set by -o) ends
with .aiff. Also, this option has no effect when encoding since input AIFF is auto-detected.

--force-raw-format
Force input (when encoding) or output (when decoding) to be treated as raw samples (even if filename ends in
.wav).

NEGATIVE OPTIONS
--no-adaptive-mid-side

--no-decode-through-errors

--no-delete-input-file

--no-exhaustive-model-search

--no-lax

--no-mid-side

--no-ogg

--no-padding

--no-qlp-coeff-precision-search

--no-residual-gnuplot

--no-residual-text

--no-sector-align

--no-seektable

--no-silent

--no-verify

--no-warnings-as-errors
These flags can be used to invert the sense of the corresponding normal option.